Christmas Gift Ideas for Dad 2010 – What Would He Like?

When it comes to choosing Christmas gift ideas for dad 2010, it is easier because we usually know what they are up to. Every dad wants to know how special they are and all we have to do is make it more surprising and interesting for them.

What should I give him?

Some of them have mechanical abilities, you may try to buy them new tools which they can use to repair or modify equipments or cars. Other dads want gadgets like new mobile phone, computer, DVD player, or probably iPod. I know for a fact that my dad likes to have a new leather wallet, jacket or gloves. As Christmas falls on a Winter season, buying winter clothes is one of the best Christmas gift ideas for dad 2010. Our dads provide us with the best things in life, and in return it is nice for us to buy them what they love and enjoy. This is one way we show care, respect and love for them.

There is also another way of showing the spirit of Christmas to our dads. An energy pendant is also a great idea during this Christmas. This contributes healthy benefits to not only dads but to all of us. It is not an ordinary fashionable pendant. It is more sophisticated as it has a “scalar energy” that is produced to protect us from the harmful outcome or effects of EMFs. Some of us are not aware of the damage these electromagnetic fields bring us.

The radiation contained by computer, mobile phones, TV and other gadgets, are so inevitable that we have the tendency to neglect their negative effects as they are somewhat necessary for our daily routine. So, since we can’t avoid these EMFs, energy pendants are created in the effort to help enhance our cell permeability, endocrine and immune systems, increase focus and concentration to achieve certain goals in life, fight bacteria, viruses and even cancer cells that are lurking inside our body. When planning to purchase this EMF-Shield Pendant or simply known as energy pendant, make sure to learn more about its description, and if it has a certification which explains that it has been proven to be effective.

Are they affordable?

These items mentioned above are more likely to have limited best deals, offers and coupons especially in this time of the year. Most people go to stores to buy them immediately, but I prefer to buy them online as it is more convenient for me and less stress in competing with other shoppers. It is best to buy them ahead of time, so you don’t end up rushing which gives you the tendency to forget something.

So, when you already have come up with the best Christmas gift ideas for dad 2010, then just make sure that a certain gift item is worth your time, energy and money. Spend wisely and you will never have regrets.

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Visual Persuasion – Effective Exhibits on a Budget

One of the main goals of an advocate is to tell a believable story. One way to achieve this goal is to present evidence in understandable, believable and compelling ways. Regardless of the oratory skill of the advocate or witnesses, the use of effective exhibits in conjunction with narration is far more effective in terms of memory retention and persuasiveness to the trier of fact, than narration alone.

Demonstrative evidence appeals to people because it involves more of our senses. Any time that an advocate can do more than allow his audience to hear the case, he or she is being more effective. When you add visual perception and tactile perception, you increase the ability of people to understand your case.

I. Demonstrative Evidence v. Real Evidence

There is some cross over between the terms real evidence and demonstrative evidence. Typically “real evidence” is used to refer to an actual physical object such as a murder weapon. When an object is merely illustrative, such as a model, reenactment, or exemplar, the evidence tends to be lumped into the term “demonstrative evidence”. Regardless of how it is referred to, most types of evidence are generally admissible in Missouri courts with the appropriate foundation.

II. Foundation for the Introduction of Demonstrative Evidence.

The use of demonstrative evidence is well accepted in Missouri courts after a proper foundation is laid. The individual exhibit and its use will determine the appropriate foundation for admissibility. The following example foundations are provided for some of the more typical types of demonstrative evidence.

A. Verification of photographs. The foundational elements are:

1. The testifying witness is familiar with the object or scene that is depicted.

2. The witness explains a basis for his or her familiarity with the object or scene;

3. The witness recognizes the object or scene in the photograph that is presented;

4. The photograph accurately and/or fairly depicts the object or scene at the relevant time.

B. Diagrams or charts. The elements for foundation are:

1. The diagram or chart depicts a certain area, object or theory;

2. The witness is familiar with that area, object or theory;

3. The witness explains a basis for their familiarity with the area, object or theory;

4. In the witness’ opinion the diagram or chart is an accurate depiction of the area, object or theory;

5. If the chart or diagram includes the report of experimental tests or evidence a conditional foundation must be laid including that the witness is qualified to establish the theories, validity and reliability of any instrumentation.

6. The underlying theory is scientifically valid in the witness’ field;

7. The theory is generally accepted;

8. The instrumentation and methods are reliable;

9. The instrumentation’s are generally acceptable and reliable;

10. The witness is qualified to conduct and interpret the test;

11. The instrumentation used to arrive and validate the theory was in good working condition;

12. The proper procedures were followed and that the witness states the results in conjunction with the depiction in the diagram or chart showing the theory.

C. Computer Animations and Simulations.

Foundation for computer animation or simulation will depend on how it is to be used. Will it be used as evidence to illustrate an expert witness opinion, or will it be used as substantive evidence.

Use of such evidence is generally limited when the attempt is to introduce it as an example of what happened in a particular situation, unless a foundation is laid showing substantial similarity between the conditions at the time of the event depicted and those assumed in the simulation or animation. See Richardson v. State Hwy. and Transp. Comm’n, 863 S.W.2d 876, 882 (Mo. Bane. 1993). Sometimes, such animations may also be excluded on the simple fact that they are more prejudicial than probative, as was the case in State v. Star, 998 S.W.2d 61, 67-68 (Mo. App. 1999), where the court concluded that a forensic animation video depicting and recreating the defendant’s version of a shooting incident, was not admissible.

The proper foundation to admit animation evidence is similar to other scientific evidence with some variations. Case specific research should be done, but a general foundation would be:

1. There are valid scientific equations and principals known to science underlying the issues;

2. The computer technology can produce simulations or models based upon scientific equations and principals which are scientifically valid;

3. The principals, equations and formulas that are scientifically valid have been appropriately programmed and put into a computer program or particular software;

4. To generate the animation or simulation, certain inputs must be made (usually mathematical) and the nature of the measurements that are made;

5. The source of the measurements and their validity;

6. The software in question in capable of converting the inputted information into accurate images and fair depictions representing a scientific principle to be demonstrated;

7. Someone qualified has input the data needed to use the program and the principles and scientific equations that have been implemented in the program;

8. The actual physical computer was checked to insure the data was inputted properly and that the system is working correctly;

9. The operator(s) were qualified not only to use the computer but also to input the specific information;

10. The images were recorded to a medium that is reliable;

11. A witness qualified by experience and education recognizes the depiction to say that it fairly and accurately depicts the preceding elements of the foundation.

III. Typical Types of Exhibits

1. The actual physical object in question;

2. Reproductions or models;

3. Photographs;

4. Close up or enhanced photographs;

5. Aerial photographs;

6. X-rays;

7. CAT scans;

8. MRI films;

9. Medical video tapes (procedures);

10. Videotape or motion pictures;

11. Slides;

12. Diagrams;

13. Charts;

14. Maps/Plats;

15. Transparencies;

16. Medical or anatomical drawings;

17. Anatomical models;

18. Contracts, letters and relevant documents;

19. Advertisements;

20. Sound recordings such as 911 tapes.

IV. Questions of Admissibility

A. Considerations for Admission.

In addition to doing case specific research for a proper foundation, you should anticipate in the development of exhibits not only the effect they will have on the jury but the effect they will have on your opponent. In addition to anticipating specific objections, determine whether or not the exhibit results in unfair prejudice or if it misleads the jury.

Demonstrative evidence does have the capacity to move people emotionally and to make a significant impact. Care must be taken to insure that while the evidence is effective, it does not unduly emphasize objectionable concepts or unduly emphasize human responses such as revulsion, contempt or pity. Counsel should also pay attention to whether or not the exhibit can mislead the jury.

An example of when an exhibit can mislead a jury is found in Gladhill v. General Motors Corp., 743 F.2d 1049 (4th Cir. 1984). In that case, the trial court allowed a video tape demonstration by the defense of braking characteristics of a 1980 Chevrolet Citation. Unfortunately, the plaintiffs accident occurred at night on a sharp downhill curve and the demonstration was done in the daytime on level ground and was conducted by an experienced test driver. On appeal, the defense argued that the videotape was not a reconstruction of the accident, but was “a demonstration of certain operating characteristics of the vehicle in question”. The court of appeals did not agree, but felt that the testimony was misleading because the Citation was shown on a wide open asphalt road traveling a straight line with an experienced test driver rather than the circumstances that were actually relevant in the particular case.

B. Typical Objections

Typical objections to demonstrative evidence usually include: lack of foundation, lack of relevancy or unduly prejudicial.

In addition to these general objections, the attack on demonstrative evidence can be made on a core foundation issue. An example would be a digital representation of a test may be attacked as to underlying results, or that the information is unreliable, or that there is no adequate chain of custody or that the results themselves are inaccurately depicted.

V. Why Use Visual Presentations/Demonstrative Evidence

In the age of video games, television and movies, we have to take into account that we are all multimedia learners. Numerous researchers, jury consultants and others have studied the effects of visual presentations and our ability to learn. One such notable paper Marino and Mayer, Visual Presentations in Multimedia Learning: Conditions That Overload Visual Working Memory, University of California, Psychology Department reports that visual presentation in conjunction with auditory narration is the most effective presentation for learning. Everybody has a capacity to memorize information. However, studies such as this one have shown that memory can be overloaded by such things as visual presentation in conjunction with visual text. The most effective method of learning appears to be pictorial information combined with auditory information, sequencing the two together.

This sort of presentation is perfect for the trial and mediation environment. At a mediation, the presenting attorney or narrator can use visual diagrams, charts or pictures to make points in their explanation of the case. At trial, the normal question and answer method of listening to evidence in conjunction with visual presentation and explanation provides an effective means of educating the jury.

For additional information and ideas on presenting visual information, you may want to read E. Tufte, Visual Explanations, Images and Quantities, Evidence and Narrative. An additional source geared more to attorneys is S. Hamlin, What Makes Juries Listen Today.

VI. Common Mistakes in Exhibit Preparation

Every visual presentation is intended to promote some idea or concept. Unfortunately, unless the exhibit is clear and easy to read, it will not be effective.

Common mistakes include problems with color and contrast. The following are just a few tips when preparing exhibits. Blue text on black background or similar color combinations are difficult to read due to the lack of contrast. Other color combinations such as blue and red can cause illusions when positioned closely together. Yellow, which is a very effective color for presentations, tends to disappear on a white or light colored background.

When preparing exhibits, you should always take into account the practical problems such as the color contrast listed above. Also, there is an occurrence known as “simultaneous contrast” that can happen when opposing colors are placed in close proximity to each other. The text may appear to vibrate or cast a shadow. Eye strain and fatigue will be increased by the use of strongly opposing colors and should he avoided where possible.

VII. Order of Colors

Colors are attached to emotions and intellectual cues regarding the color’s “action”. Typically cool, lowly saturated colors such as blue are “passive” and are generally associated with goodness. Warmer, more highly saturated colors such as red, are generally considered “active” and associated with bad outcomes.

A good example of this would be an instruction/warning manual. Warnings, when associated with death or serious injury, are typically presented by a red or dark orange symbol.

Since people are accustomed to this association, the use of such colors in sequencing can be effective when presenting evidence.

VIII. Color Blind

Color is important in the use of effective exhibits. It should be noted that a certain segment of the population is color blind. Generally speaking, males have more problems than females. About 8% of Caucasian males, 5% of Asiatic males and 3% of other males are affected by some degree of color blindness. Typically, these people can perceive only two or three primary colors.

While you cannot take into account all individual problems, one way to address the color issue is to include some questions on voir dire when you are depending on visual exhibits to make your case. You can compensate for color deficiency in the design process. Color blind people tend to have problems differentiating between color combinations more than actual colors. One way to account for this is to emphasize text with colors that contrast but are not closely associated colors. Thus, do not transition from red, to red-orange, to orange but instead transition from blue to yellow or black to white. Also, associating color transitions with an icon is an effective way of presenting an exhibit to people with some color deficiency.

IX. Cost of Presenting Evidence

A. Budget

Anytime you undertake a new case it is a good idea to have a budget. When you are considering the presentation of exhibits, having a good idea of what you can afford up front is critical. It is very easy to spend substantial sums of money when preparing exhibits. Each case has an amount of money that can be legitimately justified to spend on exhibit cost. Depending upon the size of the case, your budget may greatly influence how you make that presentation.

Generally speaking, the cost of exhibits can be broken down into the cost of creating the exhibit and the cost of presenting the exhibit. In our practice, we have found that an investment in equipment which allows us to in-source some of the preparation and presentation of exhibits allows us to create cost effective exhibits that otherwise might be out of reach for the particular case. Some suggestions include the following:

1. Videotape your own depositions. Most practitioners already own a video camera and a VCR or DVD player to present the taped deposition or other video evidence.

2. A digital camera or a film camera with a scanner hooked to a computer and a color printer can produce page size photo exhibits of fairly high quality that can then be passed to the jury. These same images can also be output through television, data monitors or an LCD projector in the courtroom as an alternate presentation medium.

3. Many exhibits that are text based, with color added, can be easily prepared on common computer software already available on most computers. For example, the word processing programs such as Microsoft Word and Word perfect can be used to produce page size exhibits, jury instructions, flow charts and yes/no boards. These exhibits can then be printed, enlarged, and/or mounted by an outside vendor such as a professional exhibit firm or copying service.

4. Our firm does not edit our own videotapes, but computer software is available to allow video editing on a personal computer. If you are computer savvy or willing to learn, this could also substantially reduce your costs.

B. Advantages and Disadvantages of Methods of Presentation

Boards: can be a centerpiece of attention, but can be awkward if courtroom is too small; multiple boards can be difficult to handle.

TV: easy to use, unable to handle PowerPoint or multimedia; can’t project so jurors can see easily, often distorts images or colors

Data Monitors: high Quality Images; required software use, higher associated cost, requires skilled AV setup

Multi-Monitor: everyone can clearly see evidence as shown, courtroom may be too small to handle multiple monitors, requires skilled AV setup

LCD Projectors: cuts down on equipment in the courtroom, must be perfectly positioned so everyone can see, quality has greatly improved; images are brighter and clearer and can be enlarged

VCRs: easy to use, no instant access to as clips are pre-edited, only a four-head VCR can pause and display a clear image,

Visual Presenters (ELMO): can display anything that fits on the base, documents must be shown as half pages to be readable, similar to a small camera

Trial Software: instant access to all documents, depositions, video clips and demonstratives, requires extensive pretrial work, experienced technician & logistically capable courtroom.

PowerPoint or Presentation Software: can create a linear slide show and easily make changes; can embed visuals, poor way to handle documents, most effectively used for summary or bullet-point slides

Interactive Software: can create a flexible non- linear presentation, must predetermine & test all information.

QuickTime VR: audience can accurately view a site, area or object, does not work in settings that are constantly changing

There are advantages and disadvantages to each presentation medium, and the inputs that you use to present them. Our own experiences have shown that boards are the easiest and most reliable method to present evidence. Unfortunately, in larger cases, boards can be very expensive and awkward to handle. Our solution to this problem is case dependent. In a larger case where the costs can be justified, we continue to use boards as a primary method to use visual persuasion in the courtroom. We have invested, however, in an ELMO presenter, televisions and other equipment needed to use an ELMO visual presenter integrated with a VCR and occasionally a laptop. This allows the flexibility of having smaller visual exhibits prepared which can he put on the ELMO and presented on the screen, substantially reducing the cost of preparing the exhibits and, therefore, lowering the overall cost of presenting the evidence.

The cost of an ELMO should be considered, but is not out of the reach of most law offices, including sole practitioners. If you will be trying lawsuits, you should consider it as a potential investment. Our firm was able to purchase an ELMO presenter along with the necessary equipment to distribute the signal from the VCR, laptop and all the televisions for under $4,000.00. With the help of an assistant in the courtroom, this system substantially reduces the cost of presenting evidence.

We have found that when presenting evidence, boards and televisions work best under most settings. We handle cases all over the state of Missouri, and therefore, face many different courtroom challenges when trying to plan the presentation of evidence. Overhead projectors and LCD monitors are wonderful tools, but the lighting in many courtrooms often limit their use. We have also found that televisions are inexpensive to use, are familiar to jurors and are easily replaced if damaged.

Our firm has several software packages including Sanction II, Powerpoint and Presentations. Our experience has shown that Powerpoint and Presentations are extremely useful for mediation presentations but are not flexible enough for use in the courtroom. These programs may be used effectively in opening or closing, but generally speaking, have too many limiting factors. Trial presentation software has many useful features. Our experience, however, has been that it requires such extensive pretrial work that cost savings are outweighed by the work necessary to input all of the data. Furthermore, we have experienced technical difficulties during presentations which have required us to use alternate methods to present evidence at the last minute. Our suggestion is that unless you have extensive computer knowledge (we don’t) or professional support staff, the use of such software be limited.

X. Exhibits

A. Stock Exhibits – Charts/Models

Stock exhibits can be a way to present evidence in a visually appealing way that helps to make information more clear. In our personal injury practice, we often use anatomic models. In the hands of an expert, these can be excellent visual aids and teaching tools to help jurors clearly understand the anatomy and injuries involved. The appeal of these models is that they are generally inexpensive, can be reused, and therefore, are cost effective as well. Stock exhibits such as medical diagrams are also effective for the same reasons. Charts can be purchased over the internet or as part of a full library. Several services produce charts of the whole human body and are available for a few hundred dollars. Most word processing programs such as Microsoft Word or Wordperfect can be used to edit these images if they are available on disc or CD rom. This allows some level of customization of your charts.

B. In House Exhibits

In house exhibits can be of high quality and very cost effective. Common word processing software such as Microsoft Word and Wordperfect can be used to make effective exhibits when combined with color and imbedded pictures. Programs such as Powerpoint and Presentations can also be used to add bullet points, arrows and create visual charts which then can be printed on a color printer. These exhibits can be passed to the jury or presented through blowup to a board or shown electronically.

C. Custom Made Exhibits

Custom made exhibits generally look the best and are always the most expensive. In larger cases, we rely to a great extent on custom made exhibit boards. When these exhibits are mounted on gator board and printed out on a high quality large format printer, they are very expensive. However, the cost can be reduced by having an outside consultant prepare the exhibits and provide them electronically. They can then be presented by laptop through one of the presentation mediums. We have found this can save as much as 40% off the price of the custom prepared exhibit. We have also found it cost effective to purchase a few custom made exhibits and to also have the third party vendor prepare our in-house exhibits on professional looking boards in larger cases.

We hope there are a few thoughts or suggestions in this paper and the presentation that you will find useful in your practice. Good luck with your cases.

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Top Ten Strengths of Workplace Re-Entry Women

Women returning to the workforce often sell themselves short, partly because of society’s view that if you’re not in the paid workforce you are “doing nothing”.

The other part of this equation is because after a few years of dealing mainly with children and duties around the home, many women find own self esteem and self confidence is low as to what they have to offer in the world of work.

But as any savvy employer knows, a woman returning to the workplace brings with her extremely valuable skills and qualities.

Here’s a top ten list of the gifts, the blessings, the strengths that Workplace Reentry Women bring with them to the workplace ….. whether they know it or not!

1. Multi-tasking:

Any woman running a home and family has to be able to at least 16 different things at one time!

Next time you see young mother in the grocery, with a couple of small children take the time to observe how many tasks she in undertaking at one time. This is skill and half and immensely valuable out in the world.

And that’s all before she gets to the checkout, where neither child wants to wait, and then getting everything and everyone back out to the car.

2. Problem Solver, Handling Emergencies, Troubleshooting:

Small problems seem like big problems to small people! Mum has to handle endless ‘emergencies’ and some real ones too, not to mention problems such as how to get the peanut and jelly sandwich out of the VCR (or even worse, the DVD player!)

This is just the tip of the iceberg of what an at home mum has to deal with.

3. Manager, Initiative, Self Directed:

She manages the family, the house, the meals, and everything else around the home. She has no instructions, no training, and no expert to turn to (unless her own mum)

4. Organized, Inventory Control:

Where is it? How much do we need? Keeping track of everything and anything is her job too. How do we get Jason to softball and Janet to ballet at opposite sides of town at the same time?

5. Creative, Innovative, Lifelong Learner:

Finding ways where no ways have been found before (to mess up the Star Trek saying atrociously!) This needs to be done, how are we going to do it? If there’s something you don’t know that you need to know – you learn it, you create it, you invent it.

6. Money Management, Budgeting:

Whether rich or ‘financially challenged’, money still has to be managed and budgets still have to be maintained. Whether it’s just the weekly grocery bill or when to buy a designer outfit, budgeting is always part and parcel of the job.

7. Reliability , Stable, Sense Of Responsibility:

Kids trust implicitly, and are totally reliant on mum to be there when she says she will, and take care of what they need taken care of. Even the most unreliable of women become much more responsible when she has a family to take care of.

8. Event Organization:

Ah, those parties. Birthday parties, Christmas parties, picnics, even holidays – mum is in charge of organization, making it fun and getting everything ready and put together.

9. Mediator, Interpersonal Skills:

Kids fight! Mum has to calm the waters, reinstate order, arrange compromises, and do it all with a very unsophisticated audience who just want what they want.

10. Coach, Mentor, Teacher:

Mothers teach by instructing, helping and also by modeling the behavior the want. Mothers can teach people who don’t want to learn it, and get it established as a habit. Now that’s a skill!

Children learn more from their parents than from school – albeit different things most of the time. Never underestimate a mother’s role as a teacher.

So there you have the top ten skills. All are directly transferable into the workplace. There are many more. But this is just taste of the wonderful gifts a workplace reentry woman brings with her when she goes back to work.

Don’t feel you have nothing to offer – instead celebrate your wonderful gifts and abilities and share them with the world.

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Choosing the Best Memory Card For Your Digital Camera

Which brand of memory card should I buy? Does it make a difference? How big of a card do I need? Is one large card better than multiple small cards? Does the speed rating of the card matter? This article was written to help answer these exact questions.

Cameras and lenses can be easily replaced, especially if they are insured. Those images from the three-week safari, your relatives wedding, or your summer long European tour, simply can’t.

Memory Card Reliability

The first thing to look at is the memory card itself. Most entry level and amateur level cameras use SD (Secure Digital) memory cards. Most professional and prosumer cameras use CF (Compact Flash cards). In general, Compact Flash cards tend to cost more, but offer higher read/write speeds, larger capacities and be less prone to failure than the Secure Digital Cards. This article will focus on those two card types.

While there are many manufacturers of memory card out there, the top tier, and the choice of the vast majority of pros, are SanDisk and Lexar. These are also the only two brands than Nikon tests with and recommends.

SanDisk claims a MTBF (Mean Time Before Failure) of over 1,000,000 hours – that’s almost 115 years before the average card fails. Their cards are rated for over 10,000 insertions. A sophisticated defect and error management system can rewrite data from a defective sector to a good sector on the fly. SanDisks built in Error Detection Code and Error Correction Code to try to recover corrupted data automatically.

The regular (blue) SanDisk CF card has an operating temperature range from 0°C to 70°C (32°F to 158°F). The Extreme III cards are rated with an operating range of -25°C to 85°C (-13°F to 185°F). They can withstand a shock of 2,000G (or about a 10 ft drop onto a concrete floor). Hard-drives can only withstand a 200-300G shock – a drop of less than 2 foot.

SanDisk quote less than 1 non-recoverable error in every 10^14 bits read (or one error for every 12.5 terabytes of data – or one out of every million 12.5Mb RAW files, or one out of every three million Fine JPEGs).

Overall the reliability from their Compact Flash cards is significantly better than even the best hard drives on the market today.

One important note: there are many fake SanDisk cards in the marketplace. Some of these are cheaper manufacturers cards with SanDisk stickers and packaging. Some are custom made with no quality control and put into SanDisk looking boxes. Our best advice, is to only buy from a reputable retailer like Amazon.com or BHPhotoVideo.com, and avoid buying memory cards that appear too cheap, are for sale on eBay, or some market stall while traveling etc – stick to reputable sources that are authorized dealers.

However, even with the best cards, errors do still occur. There are many, many millions of these cards in circulation today. Look at any DSLR internet forum, and you’ll find reports of lost images. Most of these you’ll note are either with cheaper cards, potentially fake SanDisk or Lexar cards, or caused by user error. If you remove the card from the camera before the camera has finished writing the data, you’ll lose images that the camera hasn’t completed writing. It’s very easy to accidentally format a card, especially if you use multiple cards. There are reports of certain software applications importing the images from the card, then the user deleting the card, only to find that the application only imported the thumbnail JPEGs that were embedded into the RAW image files, not the actual RAW image files. In virtually all these cases, most of the images are recoverable using data recovery software.

Bottom line, trying to save $20 on a memory card for a camera/lens system that costs hundred or thousands of dollars makes very little sense. If you stick with the top tier brands, memory cards are very, very reliable, and they are far from the weakest link in the typical users workflow.

Card Sizes: One Large Card vs. Multiple Small Cards

How much card space you need depends on what format you shoot (RAW files are significantly larger than JPEG’s), and how many shots you are likely to take between getting to a computer to clear off and backup the cards. If I’m traveling, I’ve usually got a laptop with me so I can backup my cards every evening. Some days I may only take a dozen shots, but it’s also not unknown for me to take several thousand shots in a day if I’m at an event with a lot of action.

On a Nikon D200 containing a blank 8Gb SanDisk card, the camera claims 480 shots are available for RAW shooting. This number is usually conservative, as the size of the RAW file varies. My Nikon D300 regularly gets around 700 shots on an 8Gb card using Lossless Compressed NEF files. If you switch the D200 to Fine JPEG, it shows 1,300 shots available. If you select RAW plus Fine JPEG, it shows 354 shots available. Your cameras manual will contain a table showing similar data for your particular model.

There are conflicting opinions as to if one large card is better, or if many smaller cards are. The argument for smaller cards is, that if your card fails or you drop your camera in the ocean, you lose less data. The argument for larger cards, is card failure is very rare, and largely recoverable. You also risk a much higher chance of dropping a card, getting it wet, sitting on it, losing it, accidentally erasing it, forgetting it or leaving it in your hotel room if you are managing multiple cards.

There are other things to consider also. Uploading to computer can take a long time – putting in one large card and leaving it to upload is a lot less work than swapping multiple smaller cards and uploading each one manually. A 4Gb size card is ideal if you back up to DVD – it’s the largest card size that will completely fit onto a DVD, making the back up a simple drag and drop.

There is no right or wrong answer, we’ve standardized on 8Gb Compact Flash cards – mainly because they hold a decent number of shots and usually offer the best price per gigabyte. I’ll carry up to ten of them with me when I’m traveling. As larger cards become more common and prices drop further, we’ll go to larger sized cards. The most important thing is to make sure you have enough memory card space to last you until you can upload them to a computer – it’s better to have more than you need than not enough.

Card Speed: How Fast Do I Need?

Memory cards come in a wide range of speeds, and the faster the card, the more expensive. How fast of a card you need depends on a number of items:

Is how long it takes for the images to upload to a computer important to you? If you are uploading via cable from your camera, your upload speed is limited by the camera. If you are using a CF of SD reader, you are limited by the speed of that. For the absolute fastest uploads, use a card that supports UDMA (like the SanDisk Extreme IV’s, SanDisk Ducati’s, and Lexar 300x) in a FireWire reader. For example, the SanDisk Ultra II 8Gb card claims a 15 Mb/second read speed, so that would take almost 9 minutes to upload on an optimally configured system. The 8Gb Ducati card claims a 45Mb/second speed, so would take less than three minutes to upload.
Which camera do you use? The Nikon D200 does not support UDMA, so even though an Extreme IV is faster in it than an Extreme III, the card is much slower than it is in the D300 – the D300 can handle a much faster data transfer rate.
How likely are you to fill the camera buffer? If you shoot landscape or take several minutes to compose each shot, then you don’t need a fast card. If you are shooting non-stop action and taking sequence after sequence at 8fps, you’ll need as fast a card as possible. Cameras like the D200 and D300 have a big enough on board buffer to store about 17 shots if you are shooting RAW. Once you’ve taken a picture, the camera writes it to the memory card and erases it from the buffer as soon as it can. Once the buffer is full, the camera won’t let you take another picture until it’s written an image to the memory card and made room in the buffer. If you are using an Ultra II card in a Nikon D300, this means you may only be able to take a shot every 2-3 seconds when the buffer is full. If you are using a Ducati card, you may still be able to manage a couple of frames a second. Then if you stop shooting, the Ultra II may take a minute or so to get the buffer cleared and all written to the card. The Ducati card will allow the camera to write the images to the card and clear the buffer in seconds.

If you take your time to compose each shot, and upload speed isn’t important to you, then memory card speed isn’t important. If you are shooting action or sports and use a rapid frame rate frequently, then you want the fastest card, and camera, that you can afford.

Data Recovery Whether you’ve accidentally removed your memory card while the camera was still writing, deleted or formatted the wrong card, or the card has developed an error, it’s usually possible to retrieve some, if not all of the lost data.

The higher end cards from both SanDisk and Lexar come with their respective data recovery software packages on CD. SanDisk’s is called RescuePro, and Lexar’s is called Image Rescue. Both are reputed to be very effective. A third part solution called PhotoRescue is also widely used and reputedly better than both SanDisk’s and Lexar’s offerings, fortunately we’ve not had the need to find out.

In Summary

Your photos are infinitely more important than your camera gear. By selecting the right memory cards and taking a few simple precautions, you can potentially save yourself from losing irreplaceable photographs due to the unforeseen events that hit us all occasionally.

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Which Are the Best Built-In Car GPS Devices?

Are you wondering whether you should spend your money on a car GPS system that is built right into the dashboard of your car instead of a portable device that sticks to you dashboard? Well you’re in the right place to determine not only what the benefits are of purchasing a built-in unit, but also which ones are most popular on the market today.

Built-In vs. Portable

The question many people have when they consider purchasing a car GPS system is whether they should go with built-in or portable. The answer differs depending on the consumer’s needs, so let’s go over some pros and cons that you might want to consider when thinking about purchasing either one.

Portable is … Portable – Many consumers love the idea that they can take their portable units out of their cars and move them to another car if necessary. This is one major selling point for the portable unit. You simply attach it to your dashboard when you’re using it, and remove it when you’re done. The second bonus of a device being portable is that if you want to upload mapping or navigation software, you can do it easily via its USB port.

Portable Units Don’t Offer Large HD Space – One bonus you will find with built-in units that you won’t see in most portable devices is the large hard drive. Some built-in units come with as much hard drive space as a PC, which means you can store a lot of information on your system. If this is important to you then you will want to look past the portable units.

Built-In Units Offer More Extras – One reason that customers enjoy built-in car GPS systems is their features – the main one being a bigger screen. While most portable units have smaller 3.5-inch screens, some built-in units can have screens as large as 7.5 inches allowing you to get a better view of the maps and text directions. In addition, many systems come with a DVD player or other entertainment features that you cannot get with the smaller portable unit.

Built-Ins Make Cars More Vulnerable – In an age where breaking into cars is as easy as breaking into your own bedroom, many consumers are leery about placing permanent systems into their vehicles because burglars can look right in and see what they want. The one plus of the system being built in is that it will be hard for them to take it out without effort, but this means you won’t be able to remove it to secure your device and vehicle if necessary – a luxury you get with the portable device.

The Best Devices

There are a handful of car GPS devices that top the list as those you would want to have placed in your vehicle. Let’s look at them more closely:

Pioneer AVIC-Z2 – This is a system that reviewers love because it is considered to be the ultimate in HDD navigation. It has a huge hard drive – 30 GB – which can easily rival many PCs on the market. But many more features follow this one great asset. For example, its processing speed is astounding, being able to deliver mapping and navigation information to you rapidly. Also, it offers a huge Tele Atlas that has over 12 million points of interest (POI) so that you can find a business or other public location without having to know the address. Some other features of this car GPS system include a huge music library, a large 7-inch screen, DVD playback, 3D landmark icons, point addressing, traffic flow lanes, iPod controls, Bluetooth compatibility, text-to-speech technology, and turn-by-turn voice instruction.

Panasonic Strada CN-NVD905U – Similar to the Pioneer device mentioned above, this one also offers a 7-inch screen and DVD player. In addition, it has an easy-to-understand LCD display as well as touchscreen control with audio. You can enjoy a picture as sharp as your television set so that you can not only see great map images, but also enjoy your movies, making this device one that makes being in your car as comfortable as being in your home.

When you’re ready to get out and buy your built-in car GPS it is important to consider a few more things. One is that many systems are available with the purchase of a new car, so before you spend money buying a new system for your car, consider whether you could save by having one come with a new car you are thinking of purchasing. These car GPS systems are a little bit pricier than most portable units, so you have to make sure that you will get the most out of your purchase.

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Piano Note Reading for Beginners

Reading piano notes is far easier than many beginning pianists think it is. Ultimately, piano note reading is simply a matter of memorization and repetition. In other words, once you learn the basics, all you have to do is put them into practice, and to do so as many times as it takes to completely internalize your note reading skills.

No doubt, you’ve seen what’s known as the staff — the system of five lines and four spaces upon which musical notes are organized. In music notation, at the far left of a staff you will always see a clef, which is basically a symbol that indicates how the notes on the staff should be read.

There are many different types of clefs, but fortunately for beginning pianists, the vast majority of piano music deals only with two clefs, the treble clef and the bass clef. The treble clef is usually used to notate the first few octaves to the right of Middle C, while the bass clef is usually used to notate the few octaves to the left of Middle C.

In all staffs, no matter what the clef is, successive lines and spaces represent ascending notes of the scale. For example, in the treble clef, the lowest line represents E. Thus, the space just above the lowest line represents F, the line just above that represents G, the space above that is A, and so on.

In the treble clef, which looks sort of like a backwards “S” with a few extra curly-cues thrown in, and centered on the second line up, the notes are as follows: The five lines, from bottom to top, stand for E G B D and F, while the four spaces stand for F A C and E. All beginning pianists must memorize these very early in the learning process. FACE is an easy acronym to remember, while EGBDF lends itself to a variety of mnemonic phrases, which you can make up yourself. For example, when I took my lessons, I was forced to memorize, “Every Good Boy Deserves Fudge.”

Often, when reading music, you will see additional “lines” added above or below the staff. These are merely extensions of the staff, and follow the same succession as notes within the staff. For example, the invisible line one space below the treble clef staff — a note that you will see very, very often — stands for middle C as it is one space and one line below the E represented by the first line.

The bass clef, which looks like a backwards “C” with two dots around the second line from the top, has this configuration: The five lines stand for G B D F and A, while the four spaces stand for A C E and G. Again, there are many mnemonic devices to remember these, but it’s always best to make up your own.

With many piano songs, especially those for beginners, the left hand plays the notes in the bass clef, while the right hand plays the notes in the treble clef. The two areas meet up at middle C, which is two notes below the lowest line in the treble clef staff, and two notes above the highest line in the bass clef staff.

Beyond this basic memorization of notes represented by lines and spaces, piano note reading also involves some knowledge of what is meant by various symbols. Most commonly you will see the symbols for sharp and flat. The symbol for sharp, which closely resembles the number symbol (#), indicates that the note which it accompanies should be raised one half step. Meanwhile, the flat symbol looks like a lower case “b,” and indicates that the accompanying note should be played one half step lower. Also, once you start to learn more keys and scales, you will need to know the natural symbol, which cancels a sharp or flat is dictated by the key. Also, it’s important to remember that when you see a sharp, flat, or natural symbol, that symbol remains in effect throughout the measure.

From this point on, things become more complicated. But don’t sweat it. Learning how to read piano notes is a baby-step process. Try not to learn everything at once. Instead, focus on one thing at a time, and practice until it comes as easily as breathing. As always, this is the key to learning piano.

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How To Please a Man In Bed and Make Him Remember You Forever

Pleasing a man in bed is far more complicated than most women think. The notion that men are simple sexual creatures which can be easily satisfied is one which many women share, but it is dreadfully wrong. Men are just as intricate as women, and to really please a man sexually and have him remember you always isn’t the easiest thing to do.

5 Ways To Please Your Man In Bed

1. Take your time – Some women think that men care only about the final note of lovemaking and not the process. This is entirely wrong. While it is important for a man to orgasm, men enjoy the entire process. That’s why foreplay is something which a man will also appreciate.

2. Change positions – Men like variety and it’s easy for them to get bored if your lovemaking follows the same pattern over and over again. To easily change that all you need to do is change your sexual positions from time to time. Some positions can be more pleasurable for both of you, and you might find one which you haven’t tried before that gives you extreme pleasure, so it’s worth trying out new stuff.

3. Don’t forget to move – One of the things men complain about is that their woman doesn’t move in bed. “All she does is just lie there” is something which I’ve heard a lot of men say. Your man wishes to see that you’re into the moment. If you don’t seem like an active participant, it takes a lot of the fun away. Also, adding your own movements to his will increase his pleasure immensely, not to mention yours.

4. Use your hands – We all know that the male genital area is sensitive to the touch. Your hands can do wonders to get your man into the mood and send him into ecstasy. Make sure to use irregular strokes and change the pace often. One tip which I found immensely helpful is to use some baby oil on your hands. This can literally send your man into pleasure shock.

5. Oral Sex – One thing which all men enjoy is oral sex. To really please your man sexually, you have to give him some oral sex. Men are naturally grateful for women who do that, and you’d probably get some special treatment in return. Make sure to take your time and experiment with different techniques.

Follow these 5 tips to please your man in bed and you will have a much more satisfied partner by your side.

To learn more about how to give great oral sex, go to this website: Oral Sex Tips For Women

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Music & Intelligence: Will Listening to Music Make You Smarter?

Will listening to music make you smarter? Will learning to play a musical instrument make your brain grow larger than normal?

Questions like these ones have been popping up all over the place in the past few years, and not just in scientific journals either.

In recent times the media has been fascinated by the research surrounding brain development and music, eagerly reporting on the latest studies to the delight of the music-loving parents of young children.

But all this information – and some misinformation too – has led to generalized confusion about the role of music and music training in the development of the human brain. The bottom line is this: if you’re confused by all you read about music study and brain development, you’re certainly not alone.

In part, this is due to the manner in which the phrase “the Mozart Effect” has been popularized by the media and bandied about to describe any situation in which music has a positive effect on cognition or behavior.

In fact the Mozart Effect refers specifically to a 1993 research finding by Frances Rauscher, Gordon Shaw and Katherine Ky and published in the prestigious journal Nature. The scientists found that 36 college students who listened to 10 minutes of a Mozart sonata performed higher on a subsequent spatial-temporal task than after they listened to relaxation instructions or silence.

An enchanted media reported this interesting research as “Mozart makes you smarter” – a huge over-simplification of the original results.

As Rauscher explains in a later paper, the Mozart Effect was studied only in adults, lasted only for a few minutes and was found only for spatial temporal reasoning. Nevertheless, the finding has since launched an industry that includes books, CDs and websites claiming that listening to classical music can make children more intelligent.

The scientific controversy – not to mention the popular confusion – surrounding the Mozart Effect, has given rise to a corresponding perplexity for parents. They wonder: “Should my kids even bother with music education?”

In fact the answer to this question is still a resounding yes, since numerous research studies do prove that studying music contributes unequivocally to the positive development of the human brain. Other researchers have since replicated the original 1993 finding that listening to Mozart improves spatial reasoning. And further research by Rauscher and her colleagues in 1994 showed that after eight months of keyboard lessons, preschoolers demonstrated a 46% boost in their spatial reasoning IQ, a skill important for certain types of mathematical reasoning.

In particular, it is early music training that appears to most strengthen the connections between brain neurons and perhaps even leads to the establishment of new pathways. But research shows music training has more than a casual relationship to the long-term development of specific parts of the brain too.

In 1994 Discover magazine published an article which discussed research by Gottfried Schlaug, Herman Steinmetz and their colleagues at the University of Dusseldorf. The group compared magnetic resonance images (MRI) of the brains of 27 classically trained right-handed male piano or string players, with those of 27 right-handed male non-musicians.

Intriguingly, they found that in the musicians’ planum temporale – a brain structure associated with auditory processing – was bigger in the left hemisphere and smaller in the right than in the non-musicians. The musicians also had a thicker nerve-fiber tract between the hemisphere. The differences were especially striking among musicians who began training before the age of seven.

According to Shlaug, music study also promotes growth of the corpus callosum, a sort of bridge between the two hemispheres of the brain. He found that among musicians who started their training before the age of seven, the corpus callosum is 10-15% thicker than in non-musicians.

At the time, Schlaug and other researchers speculated that a larger corpus callosum might improve motor control by speeding up communication between the hemispheres.

Since then, a study by Dartmouth music psychologist Petr Janata published by Science in 2002, has confirmed that music prompts greater connectivity between the brains left and right hemisphere and between the areas responsible for emotion and memory, than does almost any other stimulus.

Janata led a team of scientists who reported some areas of the brain are 5% larger in expert musicians than they are in people with little or no musical training, and that the auditory cortex in professional musicians is 130% denser than in non-musicians. In fact, among musicians who began their musical studies in early childhood, the corpus callosum, a four-inch bundle of nerve fibers connecting the left and right sides of the brain, can be up to 15% larger.

While it is now clear from research studies that brain region connectivity and some types of spatial reasoning functionality is improved by music training, there is growing evidence that detailed and skilled motor movements are also enhanced.

Apparently the corpus callosum in musicians is essential for tasks such as finger coordination. Like a weight-lifter’s biceps, this portion of the brain enlarges to accommodate the increased labour assigned to it.

In a study conducted by Dr. Timo Krings and reported in Neuroscience Letters in 2000, pianists and non-musicians of the same age and sex were required to perform complex sequences of finger movements. The non-musicians were able to make the movements as correctly as the pianists, but less activity was detected in the pianists’ brains. The scientists concluded that compared to non-musicians, the brains of pianists are more efficient at making skilled movements.

The study of music definitely affects the human brain and its development, in a staggering number of ways. But what to make of all the research, especially in terms of deciding the best course of music study or appreciation for yourself or your offspring?

A 2000 article by N M Weinberger in MuSICA Research Notes makes the following excellent point: Although the Mozart Effect may not list up to the unjustified hopes of the public, it has brought widespread interest in music research to the public. And listening to ten minutes of Mozart could get someone interested in listening to more unfamiliar music, opening up new vistas.

Irregardless of the hype surrounding the Mozart Effect, the overall academic evidence for music study as a tool to aid brain development, is compelling.

At the University of California School of Medicine in San Francisco, Dr. Frank Wilson says his research shows instrumental practice enhances coordination, concentration and memory and also brings about the improvement of eyesight and hearing. His studies have shown that involvement in music connects and develops the motor systems of the brain, refining the entire neurological system in ways that cannot be done by any other activity. Dr. Wilson goes so far as to say he believes music instruction is actually ‘necessary’ for the total development of the brain.

So the bottom line is this: Music study and practice probably does aid in the development of the brain in various important ways. And after all, if you enjoy music, there is nothing to lose by trying, and everything to gain!

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Christmas Gift Ideas For A Brother

A brother can be your best buddy, your protector, your partner in crime, or endless source of frustration, much like thinking of Christmas gift ideas for a brother can be a source of frustration.

First, you need to think about what kind of man your brother is and what he enjoys. Is he a man’s man or is he sweet and sensitive? Does he have hobbies, spend time at the gym? Whatever type of man he might be, the following is a list of Christmas gift ideas for a brother.

Golfer: new golf balls, clubs, club bag, apparel, weekend pass to his favorite golf course
Sports fan: apparel or sports memorabilia from his favorite team, tickets to a game of his favorite team
Does your brother have everything you can think of and won’t want a mundane gift? Then give him something no one else will for sure! Give the gift land. You can give him a Deed of Land and he will become the legal owner of a square inch of land in each of the fifty states in the USA. The deeds can be bought via email, ready to be printed and framed. They are individually numbered.
Adventurer: hot air balloon rides, driving a NASCAR stockcar, white water rafting, or even flying a fighter jet, the “Experience of A Lifetime”
Weekend car mechanic: car wash/detailing kit, a package of air fresheners for cars, new tools
Hunter/Fisherman: hunting/fishing apparel, ammunition, targets, fishing pole, lures, first aid kit, survival kit
Gym rat: workout apparel, a piece of equipment to use at home (weights, stability ball, workout DVD), membership renewal or new membership at a hip new gym that just moved to town
Family man: photo rubik’s cube, a unique gift featuring six photos divided into nine ¾” individual squares (put pictures of your brother’s family and on one side a picture of you with your brother)
Movie fanatic: movie theater tickets, a DVD or two
Book worm: hot new book or an old favorite, Amazon.com or Barnes and Noble gift card
Music man: iPod, iTunes gift card, CDs, vinyl records if he has a record player or a record player if he doesn’t, a new instrument if he plays one
The family chef/foodie: a unique kitchen/cooking gadget, a new cook book, some of his favorite spices or ingredients for recipes, apron and chef hat
Artist: new gear for his medium of choice (i.e. brushes or canvases for a painter, rolls of film or digital memory cards for a photographer, clay for a sculptor, etc.)
Techno-geek: digital watch, digital camera, video games
The work-a-holic: office/desk accessories like wooden ballpark pens, hewn from demolished stadium seats of old, engraved with the stadium’s name and years in existence
The fashion forward: clothing, sunglasses; a humorous T-shirt, sweatshirts, or polo from Café Express
The hard-to-shop-for kind of guy: gift card to a local restaurant you know he likes or Dinner of the Month Club from Restaurant.com to 8,500 restaurants nationwide.

You can always get with your brother’s wife or girlfriend for ideas as well. And don’t forget, if you are really having a hard time, your parents may be an excellent resource for ideas. Hey, they know you both!

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Learn Piano

Eight out of ten people wish they could learn piano. I’ll give you the practical steps necessary to learn piano. It’s up to you to carry them out. Learning piano has nothing to do with your fingers: it’s all in your mind.

Resolve to play the piano five minutes a day.

Discard any expectations you may have had.

Find what your “learning speed limit” is: don’t exceed it or you’ll become fatigued.

Look at all the piano methods you can. If it is not IMMEDIATELY understandable to you, discard it and try another piano method until you find one that works for you.

Find a piano teacher you like and try piano lessons with them. If you don’t like them, quit and find another. Keep quitting until you find one that suits you. Listen to what you feel: if it feels boring, it is boring. Find a piano teacher that excites you, who makes you want to play.

Make sure you know what style of music you want to play. Don’t say “everything.” Life is too short to learn it all.

Buy a simple, inexpensive instrument until you know how you feel about it.

Listen to the best pianists playing in the style you want to learn. Listen more. Listen to everything. Develop the habit of unearthing the recordings that make you happy. Listen to the people you want to sound like.

Give in to the fact that you have to repeat songs endlessly until your hands start to play them by themselves. Do what I do at times: put a DVD player by the piano, play your favorite comedies softly, and repeat the song you want to play.

The first step is the most important: resolve to play the piano five minutes a day.

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